Song catalogue · Lyrics available
A. Dream
Scott Simpson
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Release years and genres refer to the catalogued recordings. Composition credits follow Apple Music; separate writer credits follow the supplied lyric sources.
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Lyrics
Source: ScottSimpsonAllLyrics (2).pdf · pp. 43–45
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A Dream Lyrics
Source: A Dream Lyrics.pdf · pp. track 01
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Recording details (1)
A. Dream · A. Dream
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Introduction
In 2018 I was unusually productive musically and unusually frustrated politically. Early that year I released A. Dream (short for “American Dream,” a nod to the inaugural claim that “the American dream is dead”). Late that year I released Gravitate. Between those two records sit three songs that speak directly to Donald J. Trump: one deadly serious (A. Dream) and two satirical (TrumpFunk and The Ballad of Donald).
I knew I’d have to face these sooner or later, and I decided to simply present them and read the words aloud, because the verses can move fast. I don’t want this to become a polemic; I want the lyrics to speak, then move on. Still, the moment matters. As I drafted this, we were at the end of the first wave of public impeachment hearings. I don’t know whether a second wave will come, but I do know this much: when you’re an artist and you’re frustrated or angry, you channel it into the work—music, painting, sculpture, speaking—so it might do someone else some good. That’s true no matter where you stand politically. And if we’re listening to one another, we can receive work we don’t fully agree with, consider it, and be better for the engagement.
For my part, the frustration rose from what I understood to be a pattern: pressure on Ukraine’s new president to open a debunked investigation into a political rival; earlier Mueller findings around collusion and obstruction; decades of documented business controversies and lawsuits; multiple allegations of sexual misconduct. To say “no collusion, no quid pro quo, no bribery” without looking at the full picture felt disingenuous to me. These three songs all predate the impeachment process itself but come from that same disquiet.
One craft note: wherever the “speaker” in a verse is the president himself, I sing it straight. I don’t attempt an impersonation—that would distract from the song.
Why these three sit together
Because they trace one year of work and one argument: satire’s sting (TrumpFunk, Ballad) and a straight-on lament (A. Dream). The larger invitation is the same one I gave myself while the hearings rolled: do the work. Make the thing. Don’t just stew—create. Then listen well to others who are making, even if it’s not your view.
The serious one. A rap/hip-hop frame that treats the “American dream is dead” assertion as a moral and civic nightmare.
Notes
The form lets the indictments pile: language, appointments, slogans, denial, the erosion of institutions. The refrain is blunt: Get woke—this ain’t no dream, it’s a nightmare.
Source: New Music Memoir (1).docx
